I think I got it. There's no need to switch to interlaced recording for better image quality. I somehow understood Adam Wilts review (see previous post) as if the HF11 records better images in interlaced mode. But that was a misinterpretation. What Adam Wilt says is: if you compare progressive recordings of the HF11 to real progressive recordings of a professional camcorder the HF11/10/100 looks less good because of the sawtooth artefacts shown above. A real progressive recording camcorder will not show these artefacts. If he compares interlaced recordings of both camcorders the difference is very small though.
The 1:1 details shown above come from a slowly moving HF100. The progressive recording shows these red sawtooth artefacts because of the interlaced color coding. But the interlaced recording also shows these artefacts plus the typical interlace combs. So if you need progressive frames shoot in PF25 mode and live with the artefacts. I'm glad I don't have to deal with all this annoying deinterlacing stuff.
I don't understand how this interlaced 4:2:0 color coding stuff works but at least now I see the disadvantage of progressive frames recorded in an interlaced format .
Here's an Wikipedia article on chroma subsampling
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